14+ years building brand campaigns and producing content for global media and entertainment companies, connecting stories, audiences, and culture at scale.
With thousands of titles available and decision paralysis plaguing nearly half of all streaming consumers, HBO Max needed a new approach to content discovery. The goal: help users answer "What do I watch next?" while surfacing hidden gems across the catalog — from TCM classics to animation deep cuts.
I led the creative development from concept through execution, managing in-house and external production teams. Working cross-functionally across Editorial, Product, Design, Marketing, and Social, we distributed 80+ pieces of content across the platform homepage, social channels, and email in the Phase 1 rollout.
Internal data showed users trusted personal recommendations over algorithms. I brought this insight to life by creating a curated selection of in-window titles for talent to choose from, ensuring their picks felt authentic while meeting platform priorities.
The campaign proved that editorially curated content could solve real user pain points while driving measurable platform engagement — providing a strategic blueprint for future product development.
Paramount Streaming's 3,000-person global technology organization was building innovations across two platforms (Paramount+ and Pluto TV), but siloed teams lacked visibility into what others were working on. The CTO needed a tool to showcase technical work across the organization and help teams see how their contributions connected to larger goals.
I led the end-to-end development of a scroll-based microsite featuring 10 motion graphics illustrating key tech advancements — from dynamic personalization to AI-enhanced CDNs. I wrote creative briefs, managed vendor partnerships, and coordinated cross-functional stakeholders across Product and Engineering for both tech stacks. I navigated a complex approval process involving 10+ senior leaders and delivered on a tight timeline despite shifting priorities.
I worked with senior leadership to strategize scope and identify key priorities, then partnered with Product and Engineering teams to access current Figma files and roadmaps. Collaborating with motion designers, I translated technical specs into visual storytelling that explained what teams were building and illustrated how AI integrations were opening new possibilities for streaming technology. The motion graphics balanced technical accuracy with elevated visuals conveying scale and cross-platform impact, delivered as flexible assets (.MOV, .MP4, GIF) for repurposing across presentations.
Featured at Streaming Tech Town Hall, the showcase became a core resource for internal alignment — used in team meetings to connect individual work to department goals. It helped break down silos by giving technical teams visibility into what colleagues were building and unlocked conversations with external partners by positioning Paramount Streaming's technical capabilities in a compelling way.
Led integrated and influencer marketing initiatives for Fortune 500 brands across CPG, beauty, retail, tech, and entertainment verticals. Developed audience-first campaign strategies and branded content solutions that leveraged ViacomCBS' IP, talent access, and cross-platform ecosystem to deliver creative storytelling with measurable business impact.
Produced 360° activations spanning digital, social, linear, experiential, and retail touchpoints, with budgets ranging from $25K to $6MM. Oversaw end-to-end campaign development — from concepting and influencer collaborations to production and post-campaign analysis — driving engagement, ROI, and long-term brand growth.
I'm a creative strategist and producer with 14+ years in media & entertainment. I started as a PA on feature films like Moonrise Kingdom and The Heat, where I quickly learned that great storytelling is equal parts vision and logistics — somebody has to imagine it, and somebody (often many people!) has to actually make it happen.
I've spent my career since doing both. Leading end-to-end development and production has always been where I feel most at home.
Over the years, that work has expanded into brand strategy and integrated campaigns — shaping not just how a story gets made, but why it matters to the audience on the other side.
Before marketing, I worked in feature film and television production.
Ready to lead projects, teams, and strategies on a full-time, fractional or contract basis.
I would patiently watch all these shows with Milly Alcock.
Loved Milly's choices and takes on these films. Can't wait to see her in more projects.
OMG her recommendations — I love her even more now.